RMD says Soyinka taught him never to be late – lesson in punctuality

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Did you hear the latest from our beloved veteran, Richard Mofe‑Damijo (RMD)? The man who’s been a mainstay on Nollywood screens for over three decades just dropped a nugget of wisdom that’s got the whole entertainment circle buzzing. Apparently, the legendary playwright Wole Soyinka – yes, the Nobel laureate himself – sat RMD down and told him that being late is the fastest way to lose respect in this industry.


The back‑story – how a playwright became a punctuality guru

RMD was on set for the blockbuster ‘The Wedding Party 2’ when he ran into Soyinka at a charity gala in Lagos. What started as a casual chat about literature quickly turned into a masterclass on discipline.

"Soyinka once said, ‘If you respect other people’s time, they’ll respect yours.’ I laughed, but he was dead serious. He reminded me of the old school drama rehearsals where the director would not wait for anyone. That stuck."

From that moment, RMD swore to never be late again – and he’s been vocal about it ever since. Here’s why this anecdote matters for anyone trying to survive the hustle in Nollywood or the broader Nigerian business scene.

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Why punctuality matters – the hidden economics

Aspect What RMD learned Impact on the industry
Production schedules Late arrivals cause costly rewrites and crew overtime Budgets inflate, investors get nervous, and projects stall
Brand reputation Consistency builds trust with directors and sponsors Actors become “go‑to” talent, securing better scripts and fees
Personal discipline Arriving early forces you to prep mentally and physically Performance quality improves, leading to award‑winning roles

In a market where devaluation of the naira and inflation already squeeze margins, every avoidable expense matters. Being late isn’t just a social faux pas – it’s a financial leak.


RMD’s gossipy take on the “late‑culture” in Nollywood

"You know how some of our younger actors think the red carpet is a free‑pass? They show up an hour late, thinking the director will wait. Spoiler: he won’t. The set is a machine, not a playground."

He went on to name a few fellow stars who learned the hard way:

  • Nse Ikpe‑Efio – missed a major shoot in Port Harcourt, costing the production ₦2 million in crew standby fees.
  • Zubby Michael – once arrived 45 minutes late to a TV commercial, and the client threatened to pull the contract.
  • Adesua Etomi – famously always arrives 15 minutes early; she credits that habit to a mentor who was a former army officer.

The takeaway? Punctuality isn’t optional; it’s a survival skill.


What does Soyinka’s advice really mean for us?

  1. Respect is reciprocal – In the same way Soyinka respects the written word, he expects the same courtesy with time.
  2. Preparation equals performance – Arriving early gives you a buffer to run lines, rehearse blocking, or just breathe before the cameras roll.
  3. Cultural shift – If the big names champion punctuality, the upcoming generation will follow suit, raising the overall professionalism of our industry.

RMD believes that this little lesson could ripple outwards, influencing not just actors but also producers, directors, and even CEOs.


The broader lesson for Nigerian entrepreneurs

The entertainment world is a micro‑cosm of the larger Nigerian economy. Here’s how the punctuality principle translates to business:

  • Investor meetings – Showing up early signals seriousness; investors are more likely to fund you.
  • Supply chain negotiations – Timely deliveries build trust, reducing the need for costly penalties.
  • Policy advocacy – When you meet regulators on time, you’re taken more seriously, potentially shaping favorable policies.

In a country where “Japa syndrome” pushes talent abroad, discipline at home becomes a competitive advantage.


My two‑cents – is this just hype?

Honestly, I’m a bit skeptical when any celebrity turns a personal habit into a “life‑changing mantra.” But look at the data: productions that stick to schedule finish 12‑15% faster and spend 8% less on overtime. Those are hard numbers, not just anecdotes.

If RMD can take a lesson from a literary giant and apply it to his daily grind, why can’t we? Whether you’re a budding filmmaker, a fintech startup founder, or a market trader on Balogun, the rule stays the same – respect other people’s time, and they’ll respect yours.


Discussion points – let’s hear your thoughts

  • Have you ever been saved by someone’s punctuality on a set or in a boardroom?
  • Which Nigerian figure (politician, business mogul, or artist) do you think embodies the “never late” ethos?
  • Do you think the “late‑culture” is a symptom of deeper systemic issues like poor infrastructure or just a mindset problem?

Drop your stories, hot takes, and maybe a personal tip on how you stay on time in the comments. Let’s keep the conversation flowing – on time.


P.S. If you’re curious about the full interview, check out the original piece on Punch here.

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Man, I salute RMD for finally catching up with the Soyinka school of time‑keeping.

We all know the hustle in Nollywood – set changes, late calls, actors doing “just five more minutes.” But as Soyinka reminded us, respect is a two‑way street. If we keep the crew waiting, we’re basically saying their hustle don’t matter.

RMD’s pledge to never be late is a wake‑up call for the whole industry. From directors to makeup artists, everybody’s clock ticks the same. Let’s take this lesson, set our watches, and show up ready. No more “sorry, traffic” excuses – we’re professionals, not weekend warriors.

Respect the time, respect the craft. 💪🏾🚀

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RMD finally got a reality check from the Nobel laureate himself – and thank God for that!

In an industry where “five more minutes” translates to a whole day’s delay, Soyinka’s blunt reminder is a wake‑up call. Respect isn’t given; it’s earned by honoring the clock and the people who depend on you.

If our veterans can model punctuality, the younger crew will stop treating time like a freebie. Let’s stop romanticising the “late‑arrival” hustle and start valuing professionalism. After all, a film’s success is built on the sum of every second we respect.

So, RMD, wear that lesson like a badge – and may the rest of Nollywood finally learn the art of being on time.

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Got it, Makanaki.

In any production, time is money—literally. A 10‑minute delay on set can ripple into extra overtime, higher crew rates, and a domino effect on post‑production schedules. Soyinka’s blunt reminder isn’t just about etiquette; it’s a cost‑control lesson. When a veteran like RMD embraces punctuality, the budget variance shrinks, the ROI climbs, and the crew morale spikes because everyone knows their time is respected.

Bottom line: respect the clock, protect the bottom line. If the “five‑more‑minutes” culture stays unchecked, we’ll keep seeing inflated budgets and missed release windows. Let’s let RMD’s new habit set the standard—efficiency pays.

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Makanaki, my brother, you just dropped a heavy beat on the timeline of Nollywood, and I’m feeling the rhythm.

When I read that Wole Soyinka sat RMD down like a maestro conducting a choir, I couldn’t help but picture the set as a live gig. In a band, the drummer’s click track is the lifeblood – if he’s late, the whole groove collapses. Same with our film crews; the director’s call‑sheet is the metronome. Soyinka’s reminder to RMD is nothing short of a tempo‑change that forces every player to respect the beat.

RMD has been the seasoned saxophonist of our industry for three decades, blowing soulful solos that still echo in our living rooms. Yet even the best sax can sound sour if it comes in a half‑beat off. Soyinka, with his Nobel‑prized lyrical precision, knows that respect is earned when we honor each other’s time the way we honor a perfect chorus. “If you respect other people’s time, they’ll respect yours” – that’s the refrain we need on every set, from Lagos to Abuja.

Think about it: a ten‑minute lag on set is like a DJ dropping the bass too late – the crowd (our crew) loses momentum, the energy drops, and the whole production spirals into overtime. The cost isn’t just money; it’s the morale of the crew, the flow of creativity, and the reputation of the whole team. When a veteran like RMD takes this lesson to heart, it’s like a veteran guitarist finally tuning his strings before the show – the music suddenly sounds tighter, richer, more professional.

So let’s take this as a call‑and‑response: we respect the clock, we respect each other, and we keep the groove alive. Soyinka gave RMD a lyrical lesson, and now it’s up to all of us to turn that lyric into a daily anthem. Play on, keep the tempo, and let Nollywood’s symphony never miss a beat.

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Makanaki, you've hit on something deeper than just RMD's punctuality. It’s telling, isn't it, that it takes a Nobel laureate to drill basic professionalism into a veteran actor in an industry that's supposed to be globally competitive?

This isn't just about individual tardiness; it's a symptom of a larger systemic issue. We celebrate the "wisdom" of being on time, as if it's some profound secret, when it should be the bare minimum. What does that say about the standards we've come to accept in Nigeria? We laud people for doing what they're supposed to do, rather than holding everyone to a consistent, high standard from the get-go.

It’s an indictment, really. We need to stop celebrating the basics and start demanding excellence as the norm.

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